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About Bastards
Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry BradshawAs : , , Rod Hamilton, ,
Title : Bastards Full Movie Trailer Official 2016
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy
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Name : Michael Phillips / Alias : Chicago TribuneI don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.
Name : Eric Kohn / Alias : indieWIREDespite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.
Name : Todd McCarthy / Alias : VarietyBy turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.
Name : Ben Lyons / Alias : At the MoviesSuperbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.
Name : Robert Abele / Alias : Los Angeles TimesThough "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.
Name : Lou Lumenick / Alias : New York PostQuentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.
Name : Owen Gleiberman / Alias : VarietyThe madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.
Name : Colin Covert / Alias : Minneapolis Star TribuneI'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.
Name : J. Hoberman / Alias : Village VoiceEnergetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.
Name : Rafer Guzman / Alias : NewsdayTarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.
Name : Christy Lemire / Alias : Associated PressIf only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.
Name : Stephen Whitty / Alias : Newark Star-LedgerIt's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.
Name : Rex Reed / Alias : New York ObserverWorld War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.
Name : John Hartl / Alias : Seattle TimesTarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.
Name : James Berardinelli / Alias : ReelViewsWith Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.
Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.comFor anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.
Name : Frank Scheck / Alias : Hollywood ReporterArt Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.
Name : Amy Nicholson / Alias : I.E. WeeklyBasterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.
Name : Mick LaSalle / Alias : San Francisco ChronicleThe picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.
Name : Joe Williams / Alias : St. Louis Post-DispatchWith its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.
Name : Stephen Holden / Alias : New York Times"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.
Name : Claudia Puig / Alias : USA TodayThe outcome is gory and glorious.
Name : Jonathan F. Richards / Alias : Film.comIts biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.
Name : Sheila O'Malley / Alias : RogerEbert.comEngaging and thought-provoking .
Name : Keith Phipps / Alias : AV ClubThere's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.
Name : Nick Schager / Alias : Village VoiceManages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.
Name : David Edelstein / Alias : New York Magazine/VultureThe movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.
Name : Peter Travers / Alias : Rolling StoneWill Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.
Name : David Denby / Alias : New YorkerInglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.
Name : Elizabeth Weitzman / Alias : New York Daily NewsWhen a man makes a movie this good, you can forgive him the occasional indulgence.
Name : Calvin Wilson / Alias : St. Louis Post-DispatchCenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.
Name : Tomris Laffly / Alias : Time OutBreezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.
Name : Rene Rodriguez / Alias : Miami HeraldInglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.
Name : Scott Marks / Alias : San Diego ReaderYou may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.
Name : Kenneth Turan / Alias : Los Angeles TimesClocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.
Name : Ty Burr / Alias : Boston GlobeInglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.
Name : Roger Ebert / Alias : Chicago Sun-TimesQuentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.
Name : Roger Moore / Alias : Orlando SentinelInglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.
Name : Dave Calhoun / Alias : Time Out'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.
Name : Steven Rea / Alias : Philadelphia InquirerTonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.
Name : Ann Hornaday / Alias : Washington PostFor all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.
Name : Tom Maurstad / Alias : Dallas Morning NewsScenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.
Name : Colin Covert / Alias : Minneapolis Star TribuneThe secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.
Name : Lisa Schwarzbaum / Alias : Entertainment WeeklyAustrian actor Christoph Waltz triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.
Name : Tom Long / Alias : Detroit NewsBasterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.
Name : Rick Groen / Alias : Globe and MailWar reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.
Name : Dana Stevens / Alias : SlateTarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.
Name : Richard Corliss / Alias : TIME MagazineMany Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.
Name : Joanne Kaufman / Alias : Wall Street JournalAll the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.
Name : Laremy Legel / Alias : Film.comLike a bat to the head, it's not too subtle, but you can't help but watch.
Name : J. R. Jones / Alias : Chicago ReaderInglourious Basterds is a social marker as startling as Easy Rider was in its day.
Name : Bob Mondello / Alias : NPR'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.
Name : Bill Goodykoontz / Alias : Arizona RepublicTarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.
Name : Peter Rainer / Alias : Christian Science MonitorLanda is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.
Name : Ben Mankiewicz / Alias : At the MoviesThis is a seriously provocative film.
Name : Peter Howell / Alias : Toronto StarThese Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.
Name : Stephanie Zacharek / Alias : Salon.comQuentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.
Name : Richard Roeper / Alias : Richard Roeper.comOne of the best performances of the decade in one of the most entertaining movies of the year.
Name : Stephanie Merry / Alias : Washington PostCenedella is rough around the edges, yet he remains fascinating.
Name : Manohla Dargis / Alias : New York TimesSimply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.
Name : Tom Charity / Alias : CNN.comWaltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.
Name : Christopher Orr / Alias : The New RepublicThe true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.
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